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![]() 72Languages.com The Original Language The Original Language Introduction to the Original Language Early Alphabet Equivalencies Original Language Numbers Dictionary of the Original Language Gathering the Pieces of the Original Language Assyrian, Akkadian, and Sumerian Cuneiform Hebrew Linear B Etruscan Hindustani Anglo-Saxon and Gaelic Early Egyptian Language Egyptian Hieroglyphic Hieratic Hieratic Roots of Arabic Coptic The Pyramids The Four Sons of Horus The Hall of Judgment Joseph Smith's Contributions to Egyptology Ancient American Archaeology and Linguistics Los Lunas Decalogue Jaredites: The First Americans The Jaredites were Black The Kinderhook Plates North America’s Lost Archaeology Ancient Scripture Hebrew Ten Commandments Phoenician Ten Commandments Greek Beatitudes A New Translation of Isaiah Commentary Honesty in Translations The Origin of Nations Chronology of the Scriptures The Seventy Nephi's Psalm Units of Time Linguistic Hoaxes The Michigan Tablets Burrows Cave Wisconsin Cuneiform Voynich Manuscript |
Cuneiform
Tablet Hoax David Grant Stewart, Sr. A reader sent me this
rock from Photo courtesy of This stone is a recent fake, discerned by the
following reasons. Since cuneiform is generally written on clay
tablets, every language that uses any form of cuneiform script follows very
precise rules, none of which this text conforms to. This rock has characters which are upside down. No
cuneiform character is ever written upside down. There are several ways of writing cuneiform strokes
according to the medium. Different forms of the same stroke are never used in
the same document. This rock uses different forms of the same stroke. Although this rock, by chance, has half a dozen
groupings of strokes which occur in Assyrian cuneiform, none of the other
groupings of characters occur in Assyrian or any other language. In cuneiform, it is vitally important to keep every
character distinct from the one below it or above it. This is so important
that clay tablets are usually written between pre-marked horizontal lines. On
this rock the lines are not only not straight, but the characters and strokes
are so crowded that it is impossible to distinguish which characters are to
be associated with which other characters above or below. No actual cuneiform
text has ever been written remotely like this one. In cuneiform, it is vitally important to keep every
character distinct from the ones on either side of it. The reason for this is
that since every stroke modifies the meaning of its associated character, it
is always critically important to make its association with its character
unambiguous. In this rock the strokes are a continuous mass, which is never
done in any language using any form of cuneiform. This point is so important
that while all other writing systems in the world ran all characters
together, Persian cuneiform was the first language in the world to insert
marks between each character so that the grouping of strokes could be
distinguished unambiguously, no matter now sloppy the scribe may have been. No cuneiform text ever writes any character or
stroke backwards. This rock has many backwards strokes. This rock is obviously the work of an individual
who did not have the faintest familiarity with any form of cuneiform script. There is not the slightest possibility whatever
that the writings on this rock represent any language of the past. I have deliberately chosen not to illustrate all of
the countless defects which prove this rock to be a phony so that any
would-be prankster may not gain any information to improve the quality of his
fakes. |